發哥的繪畫教學網誌

2010年2月8日星期一

FW: 老師好我是聶沁妤我可以問水墨的問題嗎!!!!!!!!!!!!!!!!!!!

以4053-01而言，桶子留白，其實是OK的，臨近它的其它東西若也是白的，則宜稍微上點淡墨。

一、切記，這張畫的特點是其它東西是有體積，有厚度感，而那些桶子是平面留白，似與世界隔離之感，所以當其它東西都有點厚度感之後，桶子純留白就不會覺怪了，當然
處理不當的話，還是會有怪怪的感覺的(作畫重心，應擺在使觀者第一時間，注視到桶子而非其它的東西，然而畫整體所有物件的強弱關係卻也要以自然為宜)。

二、窗子稍深一點，是好的，但也是要拿捏好！例如，我現在就覺得你窗戶上緣，墨線就鈎的有點太重且太實，稍微搶到樹。

最後我要說的是：「你這張畫，有近步喔！」很好！

From: Joyce Nieh [mailto:lovemerozemira@yahoo.ca]
Sent: Monday, February 08, 2010 11:43 PM
To: 陳裕發(發哥)
Subject: 老師好我是聶沁妤我可以問水墨的問題嗎!!!!!!!!!!!!!!!!!!!

Dear 老師!

這是我水墨目前的進度(4053.jpg), 我有問題就是

a) 4053_01.jpg這些桶子是之前設定留白的, 可是怎麼覺得看起來很奇怪? 老師你覺得要怎麼處理比較好?

b) 4053_02.jpg窗戶這樣子可以嗎? 還是顏色要更深? 因為怕搶到樹! 可是醬又感覺很"淺"??

感恩(台語)老師!~!~!~!~!~!!!!!!!

From 沁妤

_____

2010年1月26日星期二

RE: 12120水墨草圖

紅色是花，綠色是葉，咖啡色是枝。

原稿顯的太單調，不夠豐富，加上畫面感覺太滿。

畫花，畫面上通常至少要三個以上，才不至於太單調，再者加花的排列要有聚散，花的
形狀要有大小與方向的差異。

最後整張畫面的構成物要有一個主要的動勢，以花而言，就是枝生長的動向。而非各自
長各自的(雖然花的長向要有變化，但整體要有一個主要動向)。

From: 盈媗 [mailto:hess3298@yahoo.com.tw]
Sent: Tuesday, January 26, 2010 8:00 PM
To: yuhfa@tp.edu.tw
Subject: 12120水墨草圖

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2010年1月10日星期日

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2010年1月7日星期四

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2009年7月27日星期一

FW: From:希婕

是可以，但必須特注意的是：樹幹、樹技與葉子的明暗遠看，能否分出？若可，則無
妨，若會分不出，則必須葉子加的線條不要太密或太暗；或者更密、更暗，反正就是要
適度的分開樹技與葉子的明暗關係。至於左下角的樹幹，我看是不會覺得怪，而且反而
與魚身上的密度較接近些。

From: 王希婕 [mailto:ll24332998@gmail.com]
Sent: Monday, July 27, 2009 5:49 PM
To: 陳裕發老師
Subject: Fwd: From:希婕

老師:

我現在開始畫葉子了!我想問說夾葉中間可不可以跟魚一樣在葉片中再多
加好幾條線來表現精細度??

另外就是樹幹阿~我照著老師說的方式繼續畫成左下角那個樣子.這樣會不會怪怪的阿??

請老師給我一點意見: )

BY 希婕.筆
於2009/07/27

--
希婕

2010年2月8日 星期一